Scale quality
melodic minor
Melodic minor is the minor scale with a raised sixth and seventh — the ascending form of the classical melodic minor, and the jazz minor of the modern improviser. The raised seventh gives a leading tone while the raised sixth keeps the gap to it smooth, so the scale resolves strongly without the exotic leap of harmonic minor. It is the parent of the melodic minor family and the sound of the m(maj7) chord. In jazz it functions as a tonic minor with brightness on top and darkness below, and every alteration of a dominant can be found among its degrees. Listen for the major sixth and seventh over the minor third.
- Formula
- 1 2 ♭3 4 5 6 7
- Notes
- C♯ D♯ E F♯ G♯ A♯ B♯
- Family
- Melodic minor modes
Notation in C♯
representative keyFretboard — frets 0–12
All 17 keys
open a key →- CC D E♭ F G A B
- C♯C♯ D♯ E F♯ G♯ A♯ B♯
- D♭D♭ E♭ F♭ G♭ A♭ B♭ C
- DD E F G A B C♯
- D♯D♯ E♯ F♯ G♯ A♯ B♯ C♯♯
- E♭E♭ F G♭ A♭ B♭ C D
- EE F♯ G A B C♯ D♯
- FF G A♭ B♭ C D E
- F♯F♯ G♯ A B C♯ D♯ E♯
- G♭G♭ A♭ B♭♭ C♭ D♭ E♭ F
- GG A B♭ C D E F♯
- G♯G♯ A♯ B C♯ D♯ E♯ F♯♯
- A♭A♭ B♭ C♭ D♭ E♭ F G
- AA B C D E F♯ G♯
- A♯A♯ B♯ C♯ D♯ E♯ F♯♯ G♯♯
- B♭B♭ C D♭ E♭ F G A
- BB C♯ D E F♯ G♯ A♯
Same family
How to practise this scale
- Play the raised sixth and seventh and hear the smooth path to the root.
- Compare it with harmonic minor and hear the augmented second disappear.
- Improvise over an m(maj7) chord and land on the major seventh.
- Play the scale in thirds to hear the major-quality top over a minor base.