Scale quality
lydian dominant
Lydian dominant is the fourth degree of melodic minor: the lydian shape with a flattened seventh, which makes it a dominant scale with a raised fourth. The sharp fourth gives lift while the flat seventh supplies the dominant's pull, so the scale is the natural choice over a 7♯11 chord and the tritone-substitution dominant. Jazz and fusion players use it constantly because it sounds sophisticated without becoming harsh — the tritone between the third and seventh is still there, but the raised fourth keeps the top of the chord open. Listen for the sharp fourth singing over the dominant tritone.
- Formula
- 1 2 3 ♯4 5 6 ♭7
- Notes
- C♯ D♯ E♯ F♯♯ G♯ A♯ B
- Family
- Melodic minor modes
Notation in C♯
representative keyFretboard — frets 0–12
All 17 keys
open a key →- CC D E F♯ G A B♭
- C♯C♯ D♯ E♯ F♯♯ G♯ A♯ B
- D♭D♭ E♭ F G A♭ B♭ C♭
- DD E F♯ G♯ A B C
- D♯D♯ E♯ F♯♯ G♯♯ A♯ B♯ C♯
- E♭E♭ F G A B♭ C D♭
- EE F♯ G♯ A♯ B C♯ D
- FF G A B C D E♭
- F♯F♯ G♯ A♯ B♯ C♯ D♯ E
- G♭G♭ A♭ B♭ C D♭ E♭ F♭
- GG A B C♯ D E F
- G♯G♯ A♯ B♯ C♯♯ D♯ E♯ F♯
- A♭A♭ B♭ C D E♭ F G♭
- AA B C♯ D♯ E F♯ G
- A♯A♯ B♯ C♯♯ D♯♯ E♯ F♯♯ G♯
- B♭B♭ C D E F G A♭
- BB C♯ D♯ E♯ F♯ G♯ A
Same family
How to practise this scale
- Play the sharp fourth and flat seventh together and hear the dominant lift.
- Improvise over a 7♯11 chord and land on the raised fourth.
- Compare it with mixolydian and isolate the raised fourth.
- Play the scale over a tritone-substitution dominant and resolve down a half-step.