Scale quality
locrian ♮2
Locrian natural two is the sixth degree of melodic minor: the locrian shape with a raised second, which removes the flat second's harshness and turns the scale into a smoother half-diminished sound. It is the scale of the m7♭5 chord when a natural ninth is wanted, and jazz players use it over half-diminished chords that are not resolving through a minor ii–V. The flat fifth remains, so the instability is still there, but the natural second gives the ear a gentler way in. Listen for the natural second against the flat fifth — tension with a softer edge.
- Formula
- 1 2 ♭3 4 ♭5 ♭6 ♭7
- Notes
- C♯ D♯ E F♯ G A B
- Family
- Melodic minor modes
Notation in C♯
representative keyFretboard — frets 0–12
All 17 keys
open a key →- CC D E♭ F G♭ A♭ B♭
- C♯C♯ D♯ E F♯ G A B
- D♭D♭ E♭ F♭ G♭ A♭♭ B♭♭ C♭
- DD E F G A♭ B♭ C
- D♯D♯ E♯ F♯ G♯ A B C♯
- E♭E♭ F G♭ A♭ B♭♭ C♭ D♭
- EE F♯ G A B♭ C D
- FF G A♭ B♭ C♭ D♭ E♭
- F♯F♯ G♯ A B C D E
- G♭G♭ A♭ B♭♭ C♭ D♭♭ E♭♭ F♭
- GG A B♭ C D♭ E♭ F
- G♯G♯ A♯ B C♯ D E F♯
- A♭A♭ B♭ C♭ D♭ E♭♭ F♭ G♭
- AA B C D E♭ F G
- A♯A♯ B♯ C♯ D♯ E F♯ G♯
- B♭B♭ C D♭ E♭ F♭ G♭ A♭
- BB C♯ D E F G A
Same family
How to practise this scale
- Play the natural second against the flat fifth and hold the softer tension.
- Improvise over an m7♭5 chord that does not resolve through a minor cadence.
- Compare it with locrian and hear what the raised second changes.
- Play the scale slowly and listen for the natural ninth colour.