Scale quality
ultralocrian
Ultralocrian is the seventh degree of harmonic minor and the most extreme scale in the dictionary: locrian with a diminished fourth and a double-flat seventh on top of the flat second and flat fifth. Nearly every degree is lowered, so the scale has almost no stable anchor and sounds like a descent into tension. It is the scale of the dim7 chord in a harmonic minor context, and jazz players use it over altered diminished sounds where maximum instability is wanted. The double-flat seventh is enharmonically the major sixth, which adds a strange brightness at the bottom. Listen for how every step seems to pull downward.
- Formula
- 1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭♭7
- Notes
- C♯ D E F G A B♭
- Family
- Harmonic minor modes
Notation in C♯
representative keyFretboard — frets 0–12
All 17 keys
open a key →- CC D♭ E♭ F♭ G♭ A♭ B♭♭
- C♯C♯ D E F G A B♭
- D♭D♭ E♭♭ F♭ G♭♭ A♭♭ B♭♭ C♭♭
- DD E♭ F G♭ A♭ B♭ C♭
- D♯D♯ E F♯ G A B C
- E♭E♭ F♭ G♭ A♭♭ B♭♭ C♭ D♭♭
- EE F G A♭ B♭ C D♭
- FF G♭ A♭ B♭♭ C♭ D♭ E♭♭
- F♯F♯ G A B♭ C D E♭
- G♭G♭ A♭♭ B♭♭ C♭♭ D♭♭ E♭♭ F♭♭
- GG A♭ B♭ C♭ D♭ E♭ F♭
- G♯G♯ A B C D E F
- A♭A♭ B♭♭ C♭ D♭♭ E♭♭ F♭ G♭♭
- AA B♭ C D♭ E♭ F G♭
- A♯A♯ B C♯ D E F♯ G
- B♭B♭ C♭ D♭ E♭♭ F♭ G♭ A♭♭
- BB C D E♭ F G A♭
Same family
How to practise this scale
- Play the double-flat seventh and hear the strange brightness it adds.
- Improvise over a dim7 chord and let every phrase descend.
- Compare it with locrian and hear the fourth and seventh lower again.
- Play the scale slowly and name each degree as it falls.