Scale quality
lydian ♯2
Lydian sharp two is the sixth degree of harmonic minor, and one of the rarest qualities in the dictionary: a lydian shape with a raised second on top of the raised fourth. The sharp second is enharmonically a minor third, so the scale contains a dark minor-third colour inside a bright major frame. That contradiction makes it sound unsettled and cinematic rather than functional. It is the scale of the maj7 chord when a raised second is written, and it appears in modern jazz and contemporary classical writing. Listen for the sharp second and sharp fourth together — two raised notes changing the whole light.
- Formula
- 1 ♯2 3 ♯4 5 6 7
- Notes
- C♯ D♯♯ E♯ F♯♯ G♯ A♯ B♯
- Family
- Harmonic minor modes
Notation in C♯
representative keyFretboard — frets 0–12
All 17 keys
open a key →- CC D♯ E F♯ G A B
- C♯C♯ D♯♯ E♯ F♯♯ G♯ A♯ B♯
- D♭D♭ E F G A♭ B♭ C
- DD E♯ F♯ G♯ A B C♯
- D♯D♯ E♯♯ F♯♯ G♯♯ A♯ B♯ C♯♯
- E♭E♭ F♯ G A B♭ C D
- EE F♯♯ G♯ A♯ B C♯ D♯
- FF G♯ A B C D E
- F♯F♯ G♯♯ A♯ B♯ C♯ D♯ E♯
- G♭G♭ A B♭ C D♭ E♭ F
- GG A♯ B C♯ D E F♯
- G♯G♯ A♯♯ B♯ C♯♯ D♯ E♯ F♯♯
- A♭A♭ B C D E♭ F G
- AA B♯ C♯ D♯ E F♯ G♯
- A♯A♯ B♯♯ C♯♯ D♯♯ E♯ F♯♯ G♯♯
- B♭B♭ C♯ D E F G A
- BB C♯♯ D♯ E♯ F♯ G♯ A♯
Same family
How to practise this scale
- Play the sharp second and listen to the minor third colour inside it.
- Compare it with lydian and hear the second note move.
- Improvise slowly, treating the two raised notes as destinations.
- Play the scale over a maj7 chord and resolve the sharp second upward.