Scale quality
locrian ♮6
Locrian natural six is the second degree of harmonic minor: the unstable locrian shape with a raised sixth that softens the darkness. The flat second and flat fifth remain, but the natural sixth removes the harshest edge and gives the scale a warm, bittersweet quality. It is the sound of the m7♭5 chord when the harmony wants to move smoothly, and the standard scale for the ii chord in a minor ii–V–i where the natural sixth avoids the augmented interval. Jazz players use it over half-diminished chords that resolve to a dominant. Listen for the sixth brightening the flat fifth's gloom.
- Formula
- 1 ♭2 ♭3 4 ♭5 6 ♭7
- Notes
- C♯ D E F♯ G A♯ B
- Family
- Harmonic minor modes
Notation in C♯
representative keyFretboard — frets 0–12
All 17 keys
open a key →- CC D♭ E♭ F G♭ A B♭
- C♯C♯ D E F♯ G A♯ B
- D♭D♭ E♭♭ F♭ G♭ A♭♭ B♭ C♭
- DD E♭ F G A♭ B C
- D♯D♯ E F♯ G♯ A B♯ C♯
- E♭E♭ F♭ G♭ A♭ B♭♭ C D♭
- EE F G A B♭ C♯ D
- FF G♭ A♭ B♭ C♭ D E♭
- F♯F♯ G A B C D♯ E
- G♭G♭ A♭♭ B♭♭ C♭ D♭♭ E♭ F♭
- GG A♭ B♭ C D♭ E F
- G♯G♯ A B C♯ D E♯ F♯
- A♭A♭ B♭♭ C♭ D♭ E♭♭ F G♭
- AA B♭ C D E♭ F♯ G
- A♯A♯ B C♯ D♯ E F♯♯ G♯
- B♭B♭ C♭ D♭ E♭ F♭ G A♭
- BB C D E F G♯ A
Same family
How to practise this scale
- Play the natural sixth and hear it soften the flat fifth.
- Improvise over an m7♭5 chord that resolves through a minor ii–V.
- Compare it with locrian and hear what the raised sixth changes.
- Play the scale slowly and listen for the absence of the augmented second.