ArpeggiosEN

Arpeggio quality

m11

The minor eleventh chord is the open, airy side of minor harmony: a minor seventh with a ninth and an eleventh stacked above it. The eleventh is the fourth degree an octave up, and against the minor third it sounds suspended and unresolved, which is exactly why this quality works over long static vamps instead of functional cadences. It is the natural chord of the dorian scale, and jazz players use it when a minor chord needs to breathe rather than declare. The shape spreads wide across the neck, so it rewards slow, connected arpeggio practice. Listen for the fourth floating over the minor third without ever collapsing into a resolution.

Formula
1 ♭3 5 ♭7 9 11
Notes
C♯ E G♯ B D♯ F♯
Family
Minor

Notation in C♯

representative key
441♭35♭7

Fretboard — frets 0–12

C♯ m11 — frets 0 to 12, 39 notes, roots in orange♭3115♭719♭3♭719♭3115♭75♭719♭3119♭3115♭71♭719♭3115♭3115♭719♭30123456789101112
C♯ m11 — frets 0 to 12, 39 notes, roots in orange♭3115♭719♭3♭719♭3115♭75♭719♭3119♭3115♭71♭719♭3115♭3115♭719♭30123456789101112

All 17 keys

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Same family

How to practise this arpeggio

  • Play the eleventh and hold it against the minor third to hear the suspension.
  • Loop the arpeggio over a static minor vamp and let the fourth breathe.
  • Compare it with m9 and hear how the eleventh opens the chord further.
  • Play the upper four notes as a chord and listen to the quartal stack.