Arpeggio quality
13
The dominant thirteenth is the fullest dominant sound: a seventh, a ninth and a thirteenth stacked over the major triad. The thirteenth is the sixth degree an octave up, so the chord gains a bright, horn-like crown while the tritone between the third and seventh keeps it driving toward the tonic. Big bands end phrases on it, jazz guitarists use it as a rich V chord, and it is one of the first places players learn to drop the fifth to make room. It implies the mixolydian sound with a natural sixth. Listen for the thirteenth singing above the tritone — beauty over tension.
- Formula
- 1 3 5 ♭7 9 13
- Notes
- C♯ E♯ G♯ B D♯ A♯
- Family
- Dominant
Notation in C♯
representative keyFretboard — frets 0–12
All 17 keys
open a key →Same family
How to practise this arpeggio
- Play the thirteenth on top and let it crown the dominant stack.
- Compare it with the 9 chord and hear what the top note adds.
- Omit the fifth and keep the third, seventh and thirteenth.
- Use it to end a phrase in a big-band style and sustain the thirteenth.