ArpeggiosEN

Arpeggio quality

13

The dominant thirteenth is the fullest dominant sound: a seventh, a ninth and a thirteenth stacked over the major triad. The thirteenth is the sixth degree an octave up, so the chord gains a bright, horn-like crown while the tritone between the third and seventh keeps it driving toward the tonic. Big bands end phrases on it, jazz guitarists use it as a rich V chord, and it is one of the first places players learn to drop the fifth to make room. It implies the mixolydian sound with a natural sixth. Listen for the thirteenth singing above the tritone — beauty over tension.

Formula
1 3 5 ♭7 9 13
Notes
C♯ E♯ G♯ B D♯ A♯
Family
Dominant

Notation in C♯

representative key
44135♭7

Fretboard — frets 0–12

C♯ 13 — frets 0 to 12, 37 notes, roots in orange3513♭719♭7193513♭7513♭719393513♭7113♭719353513♭7190123456789101112
C♯ 13 — frets 0 to 12, 37 notes, roots in orange3513♭719♭7193513♭7513♭719393513♭7113♭719353513♭7190123456789101112

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Same family

How to practise this arpeggio

  • Play the thirteenth on top and let it crown the dominant stack.
  • Compare it with the 9 chord and hear what the top note adds.
  • Omit the fifth and keep the third, seventh and thirteenth.
  • Use it to end a phrase in a big-band style and sustain the thirteenth.